NOT RUBBISH

Tuesday, March 31, 2026

TWOtrees7000

SOCIALsculpture

Acknowledging Joseph Beuys' wooden postcard

watch this space

The ordinary can be extraordinary

Friday, March 27, 2026

TWOrees NOTrubbish

Ruby Wolfe

Efforts fail to save St David’s Park giant sequoias from being felled Genevieve Holding March 27, 2026 - 1:35PM

Two giant sequoias that survived 88 years since a royal coronation will be axed after fires and contamination left the towering trees beyond rescue.

City of Hobart Greening Lead Ruby Wolfe. The two giant sequoia trees in St David's Park have been deemed beyond saving and will be removed. The treesk will be cut down after attempts by council to save them failed.

What to do now??!!

A ONEtree PROJECTx2-???!!

LINK LINK

A WOODbank perhaps??!!

LINK

theWATCHERlink

TWO REDreadTREES

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Tuesday, March 24, 2026

The TREVALLYhouse

PROGRESS = forward movement towards a destination.

STRATEGICALLY TOWARDS WHAT DESTINATION?

WITH = accompanied by

PRUDENCE = the quality of cautiousness.

STRATEGICALLY IN A HOUSING CRISIS HOW PROGRESSIVE

OR CAUTIOUS IS IT DEMOLISH A DWELLING & POSSIBLY

CONSIGN THE INVESTED RESOURCES TO LANDFILL?

THE TREVALLYNhouse

A HOUSE OWNED BY THE COMMUNITY AND MANAGED

BY THE CITY OF LAUNCESTON COUNCIL

With the demolition of this dwelling what:

Social dividends or deficits does the decision deliver?
Under SECTION 65 what 'professional advice' was on offer and supplied by whom in what context?
Purposeful strategic imperatives are in play relative to 'resource recovery" appropriate land use and cultural landscaping?
Consideration has been given to 'the place's' Community of Ownership and Interest's values, obligations & right's in a 21st C context?

CLICK HERE TO GO TO THE SUBMISSION

CLICK HERE FOR SOME BACKGROUNDING

Sunday, February 15, 2026

PLASTIC NOT RUBBISH

SEE

https://www.facebook.com/reel/26239470795650840

https://www.facebook.com/reel/772815792539273

https://www.facebook.com/reel/2279989085825532

BUT governance in AUSTRALIA/TASMANIA will not see what they refuse to look at

ELSEWHERE this is called out as PREMEDITATED IGNORANCE

SEE https://thefifthestate.com.au/.../michael-mobbs-wont-pay.../

"I call waffle on my local council’s June 2019 declaration of a climate emergency, Sydney Council." ... MICHAEL MOBBS

Monday, February 2, 2026

TIP SHOPS AND ONcycling

LET COMMUNITIES BECOME MORE

ENGAGED IN ONcyling NOW!

SEE https://notrubbish.blogspot.com/ ... & ... https://oncycling2025.blogspot.com/ ... & ... https://www.facebook.com/CityMissionTAS ... & ... https://www.launceston.tas.gov.au/Natural.../Waste-Centres .

VIDEO ... https://www.facebook.com/watch/?v=2529244577189969

Saturday, January 24, 2026

PLASTIC ONcycling

VIDEO ... https://www.facebook.com/reel/4257796081127992

The dystopian point of view ... " Why bother, there is no profit in this stuff for me or us or anyone I do business with, so have a think on that young Harry."

https://www.facebook.com/reel/1939157796950702

CLICK HERE ... This is what Prof. Google

has found and it makes for very interesting reading

EDITOR'S NOTE: WASTE MANAGERS employed in WASTE MANAGEMENT CENTRES are, on the available evidence, professionally disinclined to change their mindsets in regard to waste management because they are too busy managing waste and all that implies. They are apparently looking to preserve waste management's future and their part in local government and its p;urpose for being ... The 3 Rs ... Roads Rates & Rubbish

Friday, January 23, 2026

DISTOPIAN MINDsets CALLEDout

LINKS

Since 2020, the Littered Mvmnts project by Japanese-American artist Shoji Yamasaki has intrigued, amused, and fascinated millions of people. Through a series of viral videos, he transforms discarded waste into veritable dance partners, reproducing its wind-borne movements with his own body. A seemingly simple idea, but one that reveals a profound reflection on our daily, often unconscious, relationship with the objects we leave behind.

By placing trash at the heart of his choreography, Yamasaki diverts our gaze: what is usually ignored suddenly becomes living, captivating, almost poetic. Split-screen after split-screen, the creator stages an intimate relationship between humans and their refuse, without moralizing but with a subtlety that touches on ecology, artistic expression, and understated humor.